Capture
- Tempo
- bpm
- Metronome
- Chords
- Key
- Instrument
- Detected
- —
Four clicks count you in; the take starts on the fifth, so none of the count is recorded. Pitch is resolved with the YIN autocorrelation estimator, then quantized against the tempo above — sixteenths and triplets alike, each beat read as straight or swung from how you played it. The key spells the notes and sets the signature; the instrument writes the part at the interval it reads, so a line hummed in concert C comes out in D for trumpet. Turn Chords on for guitar and the harmony is read as well as the line — chord names over the staff, Roman numerals under it, in the key you set or the one it hears. The score is set on the clef you pick, or Auto to read it from your range. Use headphones with the metronome on, or the click is recorded along with the line.
Score
Nothing
engraved yet.
Set a tempo, record a monophonic line, and the transcription is engraved here in common notation — ready to export.
Revise
- Pitch
- —
- Sounds
-
Lengthening takes the time from what follows; shortening gives it back as a rest. Bar lines hold still, so an edit stays one edit. Values that will not fit the beat are greyed out.
The transcription is a first draft, not a verdict. Tap any note or rest on the staff to revise its pitch and its length, set the tempo the score is read at, then save it — the library keeps the notation and the tempo on this device, and never the recording.